Watch Savage Grace 2007 movie online, Free movie Savage Grace 2007 with English Subtitles, Watch Savage Grace 2007 full movie. This examination of a famous scandal from the 1970s explores the relationship between Barbara Baekeland and her only son, Antony.
Watch Savage Grace Online Free: The true story of the beautiful and charismatic Barbara Daly, who married above her class to Brooks Baekeland, heir to the Bakelite plastics fortune. Their only child is a failure in his father’s eyes, and as he matures and becomes increasingly close to his lonely mother, the seeds for tragedy are sown. On Yify TV you can Watch Savage Grace free instantly without waiting. Watch more 's movies for free on Yify TV. More search tags: Savage Grace.720p.x264.YIFY.mp4, Savage Grace full movie online, download online movies free on Yify TV.
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The idle rich are boring, which is why the movie is paced so slowly.The subject matter, based on truth is shocking because it is real andsick. You can see where this is going early on, but somehow, it's likea car accident. You don't want to watch but you do? Those of us whodon't have money would like to think money cures problems, but as thismaterial shows, if you're sick, you're sick. I thought the actors did agood job portraying their characters. When these things happen toordinary people, they're statistics.
When they happen to rich people,they become the material for books and movies. Very dark subject matter, played out very frankly, which makes this allthe more disturbing. Granted the story is so strange that even done well it might be hard to 'buy'.
However, I found the texture of the film to be entirely phony, ringing false in every nuance, every detail. I was kind of stunned by the portrayal of Brooks as the sort of superior flawless sort he seems to see himself to be.
The movie went further actually, portraying him as long suffering Goodman Brooks whereas recollecting my reading of the nonfiction account, which is an oral history - he speaks for himself and of everybody else at great length - I would have written him as much more of a villain in this tale. He wasn't exactly a loving dad or hubby, even if he didn't have much to work with. Actually in reading the book what shines through as most striking to me is not really so much what happened in terms of the lurid details of the Baekland saga as it is the reactions of all these 'friends and family' - people coming from that level of the social strata. There are a lot of really rich and well connected people who are really creepy. Most interviewed aside from the grandmother seemed more than anything concerned with showing off what they each seem to be straining to produce in the way of some clever, witty, unexpected and unique 'take' on the affair, and leading the pack and holding forth the most is Brooks. The rich really are different, and the book shows them up close and personal letting it all hang out with savage disgrace!
A lot of what happens after the film ends illustrates the startling vanity of many of the people who were involved the Baeklands. A number of them felt motivated to engage in a campaign help Tony get released from Broadmoor, but offered no support whatsoever once he received his walking papers, engendering the latter tragic chapters of this strange episode. Skip the movie, read the book. It might have made a great movie but this time out sure didn't. A movie so disturbing that it can only be based on a true story. And,if you go into the movie not realizing it is a true story (like I did)you will get the shock of your life when you reach the final credits! This movie rockets through an incredible number of heavy issues at abreath taking pace, while treating the audience with respect by notmaking all issues blatantly obvious and forcing the audience to putsome of the puzzle together.
It explores a dangerously codependent relationship between mother andson. Their relationship is truly cringe worthy and disturbinglyfascinating. No yawn moments here. When I was growing up, my mother could be a little over involved in my life but she's got nothing on Barbara Baekeland (Julianne Moore). SAVAGE GRACE tells Barbara's story and that of her incalculable influence on the direction of her very tight family. Together, Barbara, Brooks (Stephen Dillane) and Tony (Barney Clark as a boy, Eddie Redmayne as an adult), exist in a tiny bubble where they can be seen by and perform for the rest of the world but ultimately exist solely for each other.
Rich beyond their own comprehension, the Baekeland's exude an air of arrogance and thrive on the act of acting. And even though, as the years pass on, the friends, acquaintances and passersby will have run far away, the Baekeland's still have us. The Baekeland's come from money. Well, at least Brooks does.
His father was the inventor of Bakelite, a popular plastic. Barbara, a former model and almost famous actress, married into the fortune and it suited her just fine to do nothing but be seen. With no real drama to occupy their time, the Baekeland's must create their own and they become experts in the craft. And like the entirely selfish parents they are, they teach their young son, Tony, everything they know. First time feature filmmaker and brave soul, Tom Kalin, tells their revolting yet tragic story in a manner that neither glorifies nor condemns their demented ways. All the while though, he centers his attention on Tony so that we never forget who the real victim is. This makes it all the more deplorable when Tony abandons reason to embrace his family heritage.
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SAVAGE GRACE is not for all. Make no mistake, when I say that the Baekeland's ruin each other and bring about all of their own misfortune, I am not speaking lightly. This is a family that shares baths, beds and lovers. Kalin is mindful of his audience's likely discomfort but also never afraid to show that audience the dirty details. Besides, when all the debauchery becomes too much to handle, one can always look to Moore and bask in her brilliance.
Moore is flippant one moment and affected the next. Her performance is so delicately balanced between calculated control and callous chaos that one never knows which way she'll turn and one is always shocked to find out.
Both Dillane (who is practically unrecognizable) and Redmayne (who could so easily be related to Moore in reality with his pale, freckled skin) do more than simply hold their own. They complete the trio and it is a delight to watch them play off of each other, albeit a disturbing delight. Kalin has not only crafted an engaging film but also a bizarre experience.
If you can stomach this true story, then you will be treated to a frankness that is not common in American cinema. You will also get to spend time in dark places you may not be accustomed to. However, when you inevitably arrive safely on the other side, you will know the drastic differences in what it means to be fortunate. I'm a fan of 'Swoon' I loved the semi documentary approach at another, true, high society horror story. In 'Swoon' the distance the director took from his subject helped us to understand and to involve ourselves in the twisted mind of the protagonists.
In 'Savage Grace' it works the opposite way. I needed to be closer I needed to be taken step by step in any way you want it but step by step. The shrill performance by Julianne Moore didn't give me and 8th of what Judy Davis gave me in 'A Little Thing called Murder' Here you're on your own. No sense of period or class no dramatic structure and feeble performances. I had waited for this film with feverish anticipation. The film has received much criticism for its 'slow and episodic' pace, 'bad' acting, and controversial elements. I will agree with the controversial aspects.
This is not a film that cookie cutters will appreciate. They will be disgusted and more than likely bored out of there mind. I on the other hand come from a very dysfunctional family(not as dysfunctional), and at times related to certain characters. TO me the film was very direct in its approach and honestly quite tasteful for the subject matter. The pacing was as it should be. It was gradual not slow, it helped to build the tension. As for it being episodic, it is because the son is telling the story through his letters and journals.
As for the acting I found it to be quite good with the exception of the son. I found his performance at times too emotionless. Julianne Moore more than makes up for it with her performance. She is a powerhouse. Brilliant Oscar worthy performance. The final scenes which I have heard are anticlimactic, in my opinion were refreshingly realistic and not overly dramatic.
So bottom line well-done film with an amazing performance by Julianne Moore, but could've been better with a more personal performance by the son. out of. Story of Barbara Daly Baekeland, who married the heir to the Bakelitefortune. We watch as the relationship with her husband slides, therelationship with her son (who narrates) goes weird and everythingcollides in tragedy. This is a dark little movie.
Almost from the first frames the wholeworld seems wrong and off. The interaction between Barbara and herhusband now that they have a son is at best awkward, at worst strained.Its clear from the start that Mom is paying way too much attention toher baby. Its unnerving. Whats also clear up front is that no one is'normal'. Everyone is clearly in their own little damaged world (Dadtravels, mom is isolated and the kid just tries to cope with all of theweirdness). As a means to an effect, namely making the audience feelinguneasy, it works in spades.
As a means of making a film that issomething that we can either relate to or want to watch for any reasonother than it intrigues our baser instincts its not really the way togo. Forgive me, but I don't know why I was watching this, I mean let meput it simply, these people are nuts. These are rich people who arejust strange.
Its doesn't help that the performances seem very mannered. All of theactors are very good but I felt as though I was watching a very veryBritish mannered drama.The characters seem to be more a collection ofticks and manners then anything else. Yes I understand that everyone iswrapped up in themselves; behavior thats so guarded that each act(especially sex)seems to be for some ulterior reason, and that anyunmannered act is one of self revelation, but at the same time it keptme distant. I never cared about anyone or anything, I only wanted tosee how twisted this all got(And it gets pretty funky).
Is it any good? Yea, he says begrudgingly. The performances are good,especially Juliane Moore, the film is extremely well crafted and asmuch as I bitch, it does hold your attention in the same way that abloody car wreck does (you keep watching to see how bad it gets becauseyou know it has nothing to do with you). I wish it was just slightlybetter than it is, I wish there was some sign of what life was beforethe baby came along, I mean why did her husband marry her, I have noclue, nor do I know why he bothered to stay married to her as long ashe did. I also wish this was about real people, instead of 'martians',I mean most of the characters outside of the central ones seemreasonably normal, I cared more about them then the ones the film wasabout. Is it worth seeing?
I don't know if I would go out of my way to see it.Frankly the chance to see this kind of fell into my lap so I took it,especially since a friend had asked about the film at the instant thechance to see the film arrived. Would I have wanted to pay for it?
Inthe end no, I want to get some thing else from the film then justfeeling dirty. Amazing movie! One of the best I've ever seen! I saw it in the Boston Independent Film Festival and was stunned by its beauty, wonderful colors, excellent cinematography (every scene is a painting!), thorough character portrayal, amazing costumes and incredible concern with details. It is so honest, visually captivating and esthetically touching!
The script is just perfect, not a superfluous word! The casting is so very successful! Julianne Moore's performance is, in my opinion, the best in her entire career!
Eddie Redmayne is just perfect for the role and he does it beautifully! This movie is definitely a must-see! The film is different.
It does stand out amongst hundreds of 'seen-this-before' flicks. Juliane Moore is great, of course. One of her best performances, actually. The film has the atmosphere that is hard to find these days; moves kind of slowly but the tension continually grows so you know something (bad) is going to happen eventually although you have no idea what. Cannot understand certain opinions here which, I have a feeling, have been written without even watching the film or, simply, for some unknown reasons, out of spite. It is really good.
I saw the film last night, I was not appalled by the content like some others, but I felt that the film was delivered in such a way that it was impossible to be moved by its story. The single greatest contributor to this was the films out-of-place score. The two scenes that should have been the most powerful moments in the filmed were dubbed over by a score that sounded like something in a ballroom in the 1910's. The acting was something that I would expect in a teen slasher film not a character driven period piece that focuses on the actors in the film.
The film also moved at a pace that was slightly slower than a baby snail, it was the kind of movie that really makes you wonder why it is that it made it past pre-production. The bottom Line is some films should just not be made, Savage Grace was one of those films. Having read the other comments on this forum, I went to the London Film Festival yesterday full of anticipation, and was rudely and thoroughly disappointed by a film full of plot holes, pretentious twaddle and dreadful gaps where nothing happened. Julianne Moore is the only guiding light in a sea of dark and dreadful film-making - I wasn't the only one to think this, as a very famous RSC actor who was sitting in front of me walked out after an hour. Simply dreadful, and if people think that producing pretty screen shots can compensate for a film that makes no sense and is without any meaningful script, then it's a real case of the Emperor's New Clothes.
After 15 years in creation, as the producer wanted us to believe in the pre-screening commentary, it's a shame they didn't take time to give this film more pace and more purpose. A really dreadful film. Seen at the last Cannes Film Festival in the Directors' Forthnight selection.
More than 15 minutes of applause followed the screening, in the presence of the director (Tom Kalin) and the main character (Julian Moore). Julian is excellent in characterizing Mrs Baekland (wife of Brooks Baekeland, the nephew of the inventor of Bakelite) throughout the lifetime of her child. The costumes, haircuts, settings are just perfect.
This real story is told with a lot of respect and even if the subject is rather extreme it is presented in a very fair way. The selection of the locations is also excellent and ranges between half of Europe.
Well done Tom! Definitely worth the waiting. Cheers, Rital.